More recent episodes of The Simpsons make use of this (usually with Lisa, Ned, and Marge) whenever they tackle topical issues. All the while keeping laughs the main priority. One notable instance was Marge’s issues with her sister Patty coming out of the closet (Homer of all people even lampshades the Transparent Closet before the commercial break by essentially saying http://www.pokersucellulare.com/the-country-branch-of-his-label/, „Oh and get this, I like beer!”), after talking up a big show about how open minded she is about homosexuality. She fully recognizes what a hypocrite she’s being, and indeed there are a lot of cases where someone believes they’re completely accepting of gay and lesbian people until someone they’re close to comes out. What makes this example particularly odd is that eight years before that episode was one where the family befriended a gay man (voiced by openly gay director John Waters) and not only was Marge perfectly fine with him, she chewed Homer out for being homophobic and thinking that hanging around John would make Bart „go gay”. Aesop Amnesia, or Opinion Myopia? More likely a twist on Not in My Backyard!, as it’s one thing to be friends with a non related gay person, but could hit closer to home when it’s a relative being talked about. Brady when the subject of drug legalization or gay marriage pops up despite being a pothead (and using harder drugs) with recurring bouts of Depraved Bisexual. Meg’s excused because she’s a Butt Monkey both in and out of the show’s universe and represents Teen Wangst, but Lois serves no other purpose than as a Foil with no humor or lampshading involved. Toyed with, since there also plenty of times Lois gets away with putting Brian or another character down, either due to Comedic Sociopathy, or because they are even worse. At one point Lois even made clear that Brian is a pretentious Commander Contrarian who plays this trope solely to stand out and be different.
The ending of Se7en. The villain has won, as Mills gives in to his anger at his wife’s and child’s death at the hands of John Doe, and Doe’s agenda, a recreation of the Seven Deadly Sins in the form of murders, comes to fruition as Mills’ execution of him makes him embody the seventh sin, wrath. Mills, clearly emotionally traumatised by the events, has been taken into custody. The hope comes in the form of Detective Somerset, who is a generally selfless and moral Knight in Sour Armor until a short time before the beginning of the film when he decides to actually retire and get on with his life. However, throughout the film, he just can’t keep out that selfless part inside of him that wants to keep on fighting for the innocent, which is pushed on by Mills who is like a reminder of Somerset at a younger age. He does decide to stay on for a few days, but at the end of the film, it is implied that he has decided to stay on completely. The last words of the film are Somerset: „The world is a fine place, and worth fighting for. I agree with the second part” which shows that even in the worst of places and after seeing the worst in humanity, people will still fight for good.
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